{"id":1468,"date":"2020-12-16T15:40:27","date_gmt":"2020-12-16T14:40:27","guid":{"rendered":"http:\/\/hardly-listening.com\/pearls\/"},"modified":"2024-11-23T10:28:27","modified_gmt":"2024-11-23T09:28:27","slug":"pearls","status":"publish","type":"page","link":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/","title":{"rendered":"Pearls"},"content":{"rendered":"\n<h3>\n\t\tReferences\n\t<\/h3>\n<h2>\n\t\tReferences: Pearls \/ Projects\n\t<\/h2>\n\t\t\t\t<a href=\"\/en\/musical-projects\/deserthouse-vienna\/\" target=\"_self\" itemprop=\"url\">\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png\" alt=\"pearl\" itemprop=\"image\" title=\"pearl\" onerror=\"this.style.display='none'\"  \/>\n\t\t\t\t<\/a>\n<h3>\n\t\t2024\n\t<\/h3>\n\t<h3>Due Donne Impossibili<\/h3>\n<p>For a new programm by the <a href=\"https:\/\/duo-udite.de\/\" target=\"_blank\" rel=\"noopener\">Duo Udite<\/a> (Bettina Bruns &#8211; Voice, Daniel G\u00f6ritz &#8211; Guitar) about the baroque composer Barbara Strozzi and the baroque poet Margherita Costa I had the pleasure to record the words and part of the voices and transposed Daniel G\u00f6ritz\u00b4 composed overture in electronic sounds. Premiere at the <a href=\"https:\/\/kalternpop.de\/\" target=\"_blank\" rel=\"noopener\">Kaltern Pop Festival<\/a> 2024.<\/p>\n<h3>\n\t\t2021\n\t<\/h3>\n\t<h4>Podcast: Friedenstein Funk<\/h4>\n<p>Jingles for a monthly <a href=\"https:\/\/friedenstein-funk.podigee.io\/\" target=\"_blank\" rel=\"noopener\">podcast<\/a> by Claudia Klein, Susanne H\u00f6rr and Dagmar Tr\u00fcpschuch about news and stories for different museums in Friedenstein, Gotha, Germany.<\/p>\n<h4>50 Hertz<\/h4>\n<p>A Soundscape, Jingles and 2 compositions for the staff convention 2021 of Germanys Company <a href=\"https:\/\/www.50hertz.com\/en\/\" target=\"_blank\" rel=\"noopener\">50 Hertz Transmission GmbH<\/a> using field recordings of the work surroundings by the staff itself. In cooperation with the agencies <a href=\"https:\/\/www.diewellenmaschine.com\/de\/\" target=\"_blank\" rel=\"noopener\">die wellenmaschine<\/a> and <a href=\"https:\/\/www.marqueur.de\/#top\" target=\"_blank\" rel=\"noopener\">marqueur<\/a>.<\/p>\n<h3>\n\t\t2019\n\t<\/h3>\n\t<h4>Tigerfish and Schangele<\/h4>\n<p><a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/tigerfish-and-schangele\/\" target=\"_blank\" rel=\"noopener\">Radioplay<\/a> in three parts<\/p>\n<p>&nbsp;<\/p>\n<h3>\n\t\t2016\n\t<\/h3>\n\t<h3>Endymion<\/h3>\n<p>For the <a title=\"thementag website\" href=\"http:\/\/www.uni-muenster.de\/Expedition-Muensterland\/veranstaltungen\/archiv\/2016\/thementag-mond.html\" target=\"_blank\" rel=\"noopener\">Thementag Mond<\/a> (Special Day Moon), an Event by University Muenster, Germany, A.C. Whelan (Text), Na Jones (Voice) and Bertram Denzel (Original Music) recorded the Radioplay &#8220;Endymion&#8221;. A &#8220;Lie down and listen&#8221;-Presentation took place at <a title=\"milchhof website\" href=\"http:\/\/milchhof-berlin.de\/\" target=\"_blank\" rel=\"noopener\">Milchhof<\/a>, Berlin, Germany.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=GR2Ilpu00zQ&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener\">youtube<\/a><\/p>\n<h3>Black Ice<\/h3>\n<p>A recording session for soundsnippets with and by <a title=\"grenzh\u00e4user website\" href=\"https:\/\/www.grenzhaeuser.com\/\" target=\"_blank\" rel=\"noopener\">Nathalie Grenzh\u00e4user<\/a> and <a title=\"bubenzer website\" href=\"http:\/\/www.frankbubenzer.de\/\" target=\"_blank\" rel=\"noopener\">Frank Bubenzer<\/a> fir the video <a title=\"black ice vimeo\" href=\"https:\/\/vimeo.com\/167971656\" target=\"_blank\" rel=\"noopener\">Black Ice<\/a>.<\/p>\n<h3>Heimat<\/h3>\n<p>Sounddesign for a fight scene in a Short by <a href=\"https:\/\/samuelauer.com\/\" target=\"_blank\" rel=\"noopener\">Samuel Auer<\/a>.<\/p>\n<h3>\n\t\t2013\n\t<\/h3>\n<h3>IAA Frankfurt \/ VW<\/h3>\n<p>Sounddesign and music to 4 Imagefilms for VW 4 Motion in collaboration with <a title=\"website ohrfilm\" href=\"http:\/\/ohrfilm.com\/\" target=\"_blank\" rel=\"noopener\">Ohrfilm<\/a>, <a title=\"website volke-kd\" href=\"http:\/\/www.volke-kd.de\/\" target=\"_blank\" rel=\"noopener\">volke kommunkationsdesign<\/a>, <a title=\"website poleposition\" href=\"http:\/\/www.poleposition-dc.de\/\" target=\"_blank\" rel=\"noopener\">poleposition-dc<\/a> and <a title=\"website tonb\u00fcro\" href=\"http:\/\/www.tonbuero.com\/\" target=\"_blank\" rel=\"noopener\">tonb\u00fcro<\/a> .<\/p>\n<h3>Liquidrom Nature<\/h3>\n<p>In collaboration with <a title=\"ohrfilm website\" href=\"http:\/\/ohrfilm.com\/\" target=\"_blank\" rel=\"noopener\">Ohrfilm<\/a> 2nd relaunch of daily music lists for <a title=\"liquidrom website\" href=\"http:\/\/www.liquidrom-berlin.de\/en\/index.php\" target=\"_blank\" rel=\"noopener\">Liquidrom<\/a> in addition of <a href=\"https:\/\/hardly-listening.com\/perlen\/klanglandschaftenhttps:\/\/hardly-listening.com\/en\/musical-projects\/soundscapes\/\">Naturesounds<\/a>.<\/p>\n<h3>Literarische Freiheit<\/h3>\n<p>denzel + huhn accompaniing a benefit reading initiated by Tanja D\u00fcckers and &#8220;der literarischen Freiheit&#8221; for homeless people, Soda-Salon, Kulturbrauerei, Berlin.<\/p>\n<h3>\n\t\t2010\n\t<\/h3>\n<h3>Wie einst Lilly<\/h3>\n<strong>Denzel Lange Tukur Live<\/strong><br \/>\nA Show for the Tatort-Preview at Bad Wildungen with Bertram Denzel (Guitar), Franka Lampe (Accordeon) and Ulrich Tukur (Voice), playing parts of the soundtrack and the special composition &#8220;<a href=\"https:\/\/hardly-listening.com\/en\/film-music\/wie-einst-lilly-once-upon-a-time-lili-marleen\/\">Wie einst Lilly&#8221;<\/a>\n<h3>POESIE DER BEWEGUNG (Poetry of Movement)<\/h3>\nARS ELECTRONICA IN BERLIN<br \/>\nOpening of the Exhibition by <a href=\"http:\/\/www.aec.at\/index_de.php\" target=\"_blank\" rel=\"noopener\">Ars Electronica<\/a> at Automobilforum Berlin in cooperation with <a href=\"http:\/\/www.thienel-berlin.de\/\" target=\"_blank\" rel=\"noopener\">Thienel &amp; Partner<\/a> and two of Detlef D! Soosts <a href=\"http:\/\/www.ereignisartig.de\/de\/Content\/2-Home.html\" target=\"_blank\" rel=\"noopener\">Agency:<\/a> a dance performance to activate the Art-objects.\n<h3>Lange Nacht der Museen<\/h3>\n<p>8 hours live-set by Oliver Doerell and Bertram Denzel at Automobilforum Berlin to illustrate <a href=\"https:\/\/www.gdtfoto.de\/seiten\/gdt-europaeischer-naturfotograf-des-jahres-ergebnisse-2010.html\" target=\"_blank\" rel=\"noopener\">Nature- and Animalphotographs.<\/a><\/p>\n<h3>Berlinale Lobby<\/h3>\n<p>Meetingpoint at the Lobby of Cinema Arsenal with Music by denzel + huhn<\/p>\n<h3>Liquidrom<\/h3>\n<p><a title=\"ohrfilm\" href=\"http:\/\/www.ohrfilm.com\" target=\"_blank\" rel=\"noopener\">Ohrfilm<\/a> and Bertram Denzel reorganizing the daily playlists for underwater listening pleasure.<\/p>\n<h3>WVV<\/h3>\n<p>In cooperation with <a title=\"b4k\" href=\"http:\/\/www.b4k.de\" target=\"_blank\" rel=\"noopener\">Uwe Langer<\/a> , <a title=\"ohrfilm\" href=\"http:\/\/www.ohrfilm.com\" target=\"_blank\" rel=\"noopener\">Ohrfilm<\/a> and clandestine Wigo Novere two films for the WVV, W\u00fcrzburg, Germany<\/p>\n<h3>\n\t\t2009\n\t<\/h3>\n<h3>Serge Gainsbourg<\/h3>\n<p>Hommage for Serge Gainsbourg with Filmen and Coverversions at Smoking Cinema, <a href=\"https:\/\/www.whitetrashfastfood.com\/\" target=\"_blank\" rel=\"noopener\">White Trash Fast Food<\/a>, Berlin.<\/p>\n<h3>\n\t\t2007\n\t<\/h3>\n<section>\n<h3>10 Sekunden Nacht<\/h3>\n<p>The 10 Second Night <a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/10-seconds-night\/\">Home-Triptch<\/a>, a Sound Installation by <a title=\"Schulte-Bunert website\" href=\"http:\/\/www.schulte-bunert.com\" target=\"_blank\" rel=\"noopener\">Kai-Uwe Schulte-Bunert<\/a>, and Bertram Denzel at &#8220;Movement I-III&#8221;, Galerie Foto Shop, Berlin and <a title=\"SI FEST Doku\" href=\"http:\/\/www.youtube.com\/watch?v=cX7a0LHTg4M\" target=\"_blank\" rel=\"noopener\">SI FEST<\/a>, Savignano Immagini Festival, Italy.<\/p>\n<h3>Grande Filiale<\/h3>\n<p>denzel + huhn live at <a title=\"Grande Filiale facebook\" href=\"http:\/\/www.facebook.com\/pages\/Grande-Filiale\/137815509605124\" target=\"_blank\" rel=\"noopener\">Hallenbad Speyer<\/a>, Germany.<\/p>\n<h3>Weeee!<\/h3>\n<p>denzel + huhn accompaniing the Exhibition of Neal Armstrong-Jones, a.ka. Wach\u00b4s animated comicstrips, Milchhof Aula, Berlin.<\/p>\n<\/section>\n\n<h3>\n\t\t2006\n\t<\/h3>\n<h3>Germaine<\/h3>\n<p>Music and Soundrecording for the french <a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/germaine\/\">radioplay<\/a> for kids.<\/p>\n<h3>Literaturstation<\/h3>\n<p>Opening Concert by Tanja D\u00fcckers and Bertram Denzel for the series of events at Berlin\u00b4s Backfabrik.<\/p>\n<h3>Spannung, Leistung, Widerstand<\/h3>\nMagnetbanduntergrund DDR 1979-1990, <a title=\"Buch\" href=\"http:\/\/www.verbrecherverlag.de\/buch\/186\" target=\"_blank\" rel=\"noopener\">CD and Book<\/a>-Premiere and Konzert, denzel + huhn a.o., Volksb\u00fchne, Berlin.<br \/>\nA book about underground music in Eastberlin.\n<h3>Literatur auf Hochtour<\/h3>\n<p>denzel + huhn together with Tanja D\u00fcckers and <a title=\"LCB website\" href=\"http:\/\/www.lcb.de\/home\/\" target=\"_blank\" rel=\"noopener\">LCB<\/a> at Warsaw, Poland.<\/p>\n<h3>\n\t\t2004\n\t<\/h3>\n<h3>Ich und der Voodookiller (The Voodookiller and me)<\/h3>\n<p>Music for a show around pulp-ficiton-stories by beatnurse (Berlin) and <a title=\"autos website\" href=\"http:\/\/autos-theaterprojekte.ch\/\" target=\"_blank\" rel=\"noopener\">Autos-Theaterprojekte<\/a> (Zurich, Switzerland).<\/p>\n<h3>\n\t\t2003\n\t<\/h3>\n<h3>W\u00fcstenhaus Wien (Desert House Vienna)<\/h3>\n<p>Conception and Realization of an <a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/deserthouse-vienna\/\">Animal Sound Installation<\/a> at Botanical Garden, Vienna, Austria.<\/p>\n<h3>Kalt-Grau<\/h3>\n<p><a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/cold-gray\/\">Soundcollage<\/a> for Dance (Annette Reckendorf) andWallsaver (Barbara Kremer), Berlin.<\/p>\n<h3>We Are Camera \/ Jasonmaterial<\/h3>\n<p>denzel + huhn track for Armin Petras\u00b4awarded Theatrepiece, Thalia Theater, Hamburg, Germany.<\/p>\n<h3>Time is a good thing vs. Fireflies 1<\/h3>\n<a title=\"de.hu-mo doku\" href=\"http:\/\/www.youtube.com\/watch?v=-Et-RjYTzbI\" target=\"_blank\" rel=\"noopener\">Video-\/Audioperformance<\/a> by denzel + huhn and <a title=\"mohn\u00e9 website\" href=\"http:\/\/www.achimmohne.de\" target=\"_blank\" rel=\"noopener\">Achim Mohn\u00e8 <\/a>at Kino Off Broadway for the Festival<br \/>\n<a title=\"kunstsalon website\" href=\"http:\/\/www.kunstsalon.de\/musik-in-den-haeusern-der-stadt\/\" target=\"_blank\" rel=\"noopener\">Musik in den H\u00e4usern der Stadt<\/a>, Kunstsalon, Cologne and at Stadtbad Oderbergerstrasse, Berlin, b.filmfestival.\n<h3>Sound in Transition<\/h3>\n<p>denzel + huhn live at Liquidrom, underwater concerts by Galerie Transition, Berlin.<\/p>\n<h3>Himmelsk\u00f6rper<\/h3>\n<p>Louise Gold and Bertram Denzel performing for Tanja D\u00fcckers\u00b4 Book Premiere, Roter Salon, Volksb\u00fchne Berlin.<\/p>\n<h3>\n\t\t2002\n\t<\/h3>\n<h3>Wortlaut<\/h3>\n<p>Tanja D\u00fcckers and Bertram Denzel live at Studio 672, Cologne.<\/p>\n<h3>Sound in Transition 2<\/h3>\n<p>denzel + huhn live at liquidrom with Galerie Transition, Berlin.<\/p>\n<h3>\n\t\t2001\n\t<\/h3>\n<h3>X-tract Chicago<\/h3>\n<p>denzel + huhn at Festival, Podewil, Berlin.<\/p>\n<h3>Astroland<\/h3>\n<p>Music for <a href=\"https:\/\/hardly-listening.com\/en\/musical-projects\/astroland\/\">photographs<\/a> by Nathalie Grenzh\u00e4user, Galerie don\u00b4t miss, Frankfurt a.M, Germany<\/p>\n<h3>B\u00e4renmarken<\/h3>\n<p>denzel + huhn at Festival, Volksb\u00fchne, Berlin.<\/p>\n<h3>\n\t\t2000\n\t<\/h3>\n<h3>Marx-Attrax<\/h3>\n<p>denzel + huhn live music for Samadhitank, Transition-lounge at Karl-Marx-Allee, Berlin.<\/p>\n<h3>\n\t\t1998\n\t<\/h3>\n<h3>Tschikago<\/h3>\n<p>Triplum performing for a festival by Sarah Marrs, The Empty Bottle and Gary Marks Gallery, Chicago, USA.<\/p>\n<h3>\n\t\t1997\n\t<\/h3>\n<h3>Yvonne, die Burgunderprinzessin<\/h3>\n<p>Music for Theatrepiece by Witold Gombrowicz, Director: Kerstin Bragenitz<\/p>\n<h3>\n\t\t1996\n\t<\/h3>\n<h3>Morsezeichen<\/h3>\n<p>Quai Ouest performing for Tanja D\u00fcckers\u00b4 Book premiere, Theater unterm Dach, Berlin.<\/p>\n<h3>\n\t\t1993\n\t<\/h3>\n<h3>Das Gelbe Haus<\/h3>\n<p>Music for Theatrepiece by Uwe Langer, Reisverschluss Theater, Berlin.<\/p>\n<h3>\n\t\t1992\n\t<\/h3>\n<h3>Ich bin die Nacht<\/h3>\n<p>Music for Theatrepiece by Tanja Langer, Modernes Theater, Berlin.<\/p>\n<h3>\n\t\t1989\n\t<\/h3>\n<h3>Prostitution<\/h3>\n<p>Soundtrack for an Installation by Nathalie Grenzhauser, Freie Akademie der K\u00fcnste, Freiburg i.Br., Germany.<\/p>\n<h3>\n\t\t1987\n\t<\/h3>\n<h3>Unser Wir Als Krach (Ourselves in Noise)<\/h3>\n<p>German School Paris.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>References References: Pearls \/ Projects 2024 Due Donne Impossibili For a new programm by the Duo Udite (Bettina Bruns &#8211; Voice, Daniel G\u00f6ritz &#8211; Guitar) about the baroque composer Barbara Strozzi and the baroque poet Margherita Costa I had the pleasure to record the words and part of the voices and transposed Daniel G\u00f6ritz\u00b4 composed&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1476,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1468","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pearls &#8226; Bertram Denzel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hardly-listening.com\/en\/vita\/pearls\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pearls &#8226; Bertram Denzel\" \/>\n<meta property=\"og:description\" content=\"References References: Pearls \/ Projects 2024 Due Donne Impossibili For a new programm by the Duo Udite (Bettina Bruns &#8211; Voice, Daniel G\u00f6ritz &#8211; Guitar) about the baroque composer Barbara Strozzi and the baroque poet Margherita Costa I had the pleasure to record the words and part of the voices and transposed Daniel G\u00f6ritz\u00b4 composed&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hardly-listening.com\/en\/vita\/pearls\/\" \/>\n<meta property=\"og:site_name\" content=\"Bertram Denzel\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-23T09:28:27+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/\",\"url\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/\",\"name\":\"Pearls &#8226; Bertram Denzel\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/hardly-listening.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/pearl-150x150.png\",\"datePublished\":\"2020-12-16T14:40:27+00:00\",\"dateModified\":\"2024-11-23T09:28:27+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/#primaryimage\",\"url\":\"http:\\\/\\\/hardly-listening.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/pearl-150x150.png\",\"contentUrl\":\"http:\\\/\\\/hardly-listening.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/pearl-150x150.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/pearls\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vita\",\"item\":\"https:\\\/\\\/hardly-listening.com\\\/en\\\/vita\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Pearls\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/hardly-listening.com\\\/#website\",\"url\":\"https:\\\/\\\/hardly-listening.com\\\/\",\"name\":\"Bertram Denzel\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/hardly-listening.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pearls &#8226; Bertram Denzel","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/","og_locale":"en_US","og_type":"article","og_title":"Pearls &#8226; Bertram Denzel","og_description":"References References: Pearls \/ Projects 2024 Due Donne Impossibili For a new programm by the Duo Udite (Bettina Bruns &#8211; Voice, Daniel G\u00f6ritz &#8211; Guitar) about the baroque composer Barbara Strozzi and the baroque poet Margherita Costa I had the pleasure to record the words and part of the voices and transposed Daniel G\u00f6ritz\u00b4 composed&hellip;","og_url":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/","og_site_name":"Bertram Denzel","article_modified_time":"2024-11-23T09:28:27+00:00","og_image":[{"url":"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png","type":"","width":"","height":""}],"twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/","url":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/","name":"Pearls &#8226; Bertram Denzel","isPartOf":{"@id":"https:\/\/hardly-listening.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/#primaryimage"},"image":{"@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/#primaryimage"},"thumbnailUrl":"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png","datePublished":"2020-12-16T14:40:27+00:00","dateModified":"2024-11-23T09:28:27+00:00","breadcrumb":{"@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/hardly-listening.com\/en\/vita\/pearls\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/#primaryimage","url":"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png","contentUrl":"http:\/\/hardly-listening.com\/wp-content\/uploads\/2020\/11\/pearl-150x150.png"},{"@type":"BreadcrumbList","@id":"https:\/\/hardly-listening.com\/en\/vita\/pearls\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/hardly-listening.com\/en\/"},{"@type":"ListItem","position":2,"name":"Vita","item":"https:\/\/hardly-listening.com\/en\/vita\/"},{"@type":"ListItem","position":3,"name":"Pearls"}]},{"@type":"WebSite","@id":"https:\/\/hardly-listening.com\/#website","url":"https:\/\/hardly-listening.com\/","name":"Bertram Denzel","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/hardly-listening.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/pages\/1468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/comments?post=1468"}],"version-history":[{"count":0,"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/pages\/1468\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/pages\/1476"}],"wp:attachment":[{"href":"https:\/\/hardly-listening.com\/en\/wp-json\/wp\/v2\/media?parent=1468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}